Meet Brother Nut, the artist who created an exhibition with 9K bottles filled with dirty water

The artist filled the bottles in China's Xiaohaotu, where drinking water is polluted with heavy metals.

Agencies
Here's why Brother Nut is making headlines:

WHO?
Brother Nut is an performance artist based in Beijing, China.


WHAT ABOUT BROTHER NUT?
He stacked the Chinese supermarket shelves with rows of bottled water, but though the packaging is that of ubiquitous Chinese brand Nongfu Spring, the liquid inside is brown and cloudy.

BROWN AND CLOUDY?
The scene is part of an exhibit at Beijing’s 798 Art Zone. Brother Nut filled the bottles with water from Xiaohaotu, a poor township in China’s Shaanxi province where the water is reportedly polluted with heavy metals.

WHAT WAS HIS PURPOSE?
Brother Nut, 37, said he was moved to create the performance piece after traveling in Xiaohaotu, where he met residents who, he said, were suffering from high rates of cancer and skin diseases. The villagers had complained for years to the provincial authorities, but the government did little to mitigate the problem, he said.

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IS THE EXHIBITION STILL ON?
It was shut down in response to complaints by Nongfu Spring about trademark infringement. The police confiscated the 9,000 bottles but Brother Nut has another 1,000 bottles which he is displaying them in an old military van, known as the Moving Art Museum.

OFFBEAT EXHIBIT, INDEED.
This is not the wackiest thing Brother Nut has done. His best known work is 2015's 'Project Dust', which consisted of the creation of a brick made entirely from particulate matter vacuumed out of heavily-polluted Beijing city air. This project spotlighted Beijing's ongoing air pollution problems at a time when China sought to recast itself as an environmentally-aware nation.

GO NUT!
Nature, Interrupted: 8 Art Installations That Talk Green
1/7
Climate change, depleting water tables, growing carbon footprints. A bunch of artists recently took up the cause of the environment to highlight green concerns.

And the result was an impressive collection of art installations, created by eight artists from across the country, displayed at the Hungarian Information Cultural Centre (HICC) in the Capital.

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Sculptor Balagopalan used his installation, 'This too shall pass', to delve into the relationship between human beings and nature. He explores an idea of slowness that contradicts the fast, linear mode of experiencing life in urban contexts. In the contemporary world, there is an awareness about the gradual degradation of nature and the need to conserve it for future generations which often is in conflict with the urban, materialistic mode of life.
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Artists Shubhangi and Harinder worked in collaboration on the interactive installation, using foam of gas cylinders, found tree branches. The installation poses questions on the effects of consumerism and the future.
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Anoop Panicker turned to the Himalayan ranges and mythology for inspiration. His work 'Myth and Coexistence' that depicts a web made of cotton ropes between two trees with an image of an ant hill in the centre.
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Through mud, bamboo and cloth, Abhinav Yagnik raises concerns about irresponsible corporate agriculture that is destroying the soil's fertility. The interior of the structure also borrows formal qualities of Acacia auriculiformis fruit. Acacia, a foreign tree, was brought to the Indian subcontinent from Australia in the 1940s. Being from a harsh environment, the tree does not allow the local vegetation in India to thrive.

The installation, a narrow passage with two openings, is made out of locally-sourced biodegradable material. The viewer enters into the passage walks through it, physically experiences the form and structure. Since the passage is narrow, there is discomfort while passing through it.
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