Assi OTT release date is here: Where and when to watch the courtroom thriller starring Taapsee Pannu
Assi, starring Taapsee Pannu and directed by Anubhav Sinha, is set to stream on ZEE5 from April 17, 2026. The courtroom drama follows a lawyer’s fight for justice in a brutal sexual assault case, while highlighting issues like victim-blaming, syst...

When and where to watch Assi
After weeks of speculation, Assi is now confirmed to stream on ZEE5. The film will start streaming from April 17, 2026. This comes roughly two months after its theatrical release, which is usually the case with many mid-budget films.So for those who missed it in theatres or wanted to watch it again, the digital release gives that chance. The film will be available in Hindi on the platform.
What the film is about
Assi is built around a difficult and heavy subject. The story follows Parima, a school teacher in Delhi, who is gang-raped and left fighting for justice. The case is taken up by lawyer Raavi, played by Taapsee Pannu, who is shown as determined but also dealing with a system that doesn’t always work the way it should.The narrative moves between the courtroom and the personal struggles of the people involved. It touches on issues like victim-blaming, societal silence, and how long and exhausting the legal process can become. There is also a track involving a vigilante angle, which adds another layer to the story.
Cast and box office reception
Apart from Taapsee Pannu, the film features Kani Kusruti as Parima. The supporting cast includes Revathy, Manoj Pahwa, Kumud Mishra and Mohammed Zeeshan Ayyub. There are also appearances by Naseeruddin Shah and others.Many reviews pointed out that Taapsee’s role as Advocate Raavi stands out, showing her as someone who keeps pushing despite setbacks. The film also marks another collaboration between her and director Anubhav Sinha, who have worked on socially driven stories before.
Even though Assi received appreciation for its writing and performances, it didn’t perform strongly in theatres. Reports suggest that it wrapped up its run with modest earnings despite the positive word around it. This again shows the gap that sometimes comes between critical praise and audience turnout for serious, issue-based films.
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