2020 was a tough year for art but things are looking up in 2021, say gallerists

Mumbai Gallery Weekend, that took place over last weekend, saw 22 galleries participate.

Mumbai Gallery Weekend took place over the weekend with 22 galleries and design venues participating this year. (Image: Instagram/Mumbai Gallery Weekend)
2020 was a steep learning curve for galleries. “It’s been a challenging time,” says Minal Vazirani of Saffronart given that galleries were closed most of 2020 due to the pandemic. But things are looking up in 2021 with the city’s largest coordinated art event, Mumbai Gallery Weekend, taking place over last weekend-- 22 galleries and design venues participated this year. Galleries in the city have been open for a while now and have safety protocols in place.

Safety Framework
Everyone is happy to be back – albeit with new rules in place and less socialising. Shireen Gandhy of Chemould Prescott Road says, “It is extremely wonderful to be hanging real work on walls instead of hanging works on an OVR platform!”

For the galleries, safety is paramount. Sanjana Shah, creative director, Tao Art Gallery, tells ET Panache, “Masks are compulsory, presence of social distancing markers, temperature checks, sanitization of gallery prior and post each walkthrough/interaction are the protocols being put into place.”


Tara Lal of Chatterjee & Lal adds, “The safety of our visitors and gallery staff is uppermost in our minds. We made sure that previews were spread out over the full four days to ensure there would be no overcrowding of spaces.”

Increased appetite for art
Planning such a large scale event during a pandemic did have its limitations though. “Working with a half-capacity team to organise the show, with limited in-person interactions and social distancing while hanging etc., was definitely a limitation but not major,” shares Shah. The inability to make in-person studio visits for much of 2020 was a limiting factor in preparation adds Lal.

But, acclimatising to a new way of working has been different but more meaningful as Dadiba Pundole says. “In fact, there seems to be a bigger appetite for art lovers to come and experience art in a gallery environment. There is also a level of comfort due to the new safety protocols that all galleries have done their best to implement,” she adds.
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Adjusting art in 2020
Due to the pandemic, galleries had to look at new ways to engage art lovers with online auctions, virtual exhibitions and private viewings during 2020. “During the pandemic we witnessed an increased interest from a wider base of collectors, with several first-time buyers and younger bidders, and continued support from seasoned collectors,” says Vazirani.

“Bidding online from the safety and comfort of their own homes was an easy way to continue being involved in the art world around the world,” shares Pundole.

However, there is one thing that’s going to be missed in the new setup. Socialising, discussing art and sharing views with artists and art patrons at shows. “It’s a minus,” says Shah.

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“The new way definitely reduces the enjoyable, social aspect of art that all of us enjoy. Collectors and artists are also friends, and some of our nicest moments are spent during shows when people stop by,” shares Pundole.

But as Gandhy says, “We hope to come back to those conversations soon!”

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Banksy, KAWS & More: 5 Things To Know About Collecting Street Art
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Street art is no longer spray painting on bus stops, street corners and walls. It’s making its way into your home, and if you’re a collector, it’s a genre to consider.



Works by pioneers such as Haring, Stik, Banksy and KAWS have gained popularity in recent years as we have seen an urban liberation of art media, pushing through the conventional parameters of paper, cardboard and canvas and on to pavement, sidewalks, subways and the bricks of buildings.



As the personification of movement, freedom and spontaneity, art inspired by graffiti has taken centre stage, both literally in scale and visibility and in its burgeoning popularity.

Street art is no longer spray painting on bus stops, street corners and walls. It’s making its way into your home, and if you’re a collector, it’s a genre to consider.Works by pioneers such as Haring..
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“Since the hip-hop crews of Philadelphia and New York turned graffiti into an elaborate language, encrypted in a range of unique styles, Street art has become an established art form. While its very public presence may scream manifesto, perhaps with subversive intent, Street art nonetheless promotes a sense of the uncompromising, a radical ethos that consistently attracts clusters of fervent supporters throughout the world,” says Noah Davis, Specialist, Post War and Contemporary Art at Christie’s Inc. They share their tips on what you need to know if you’re considering going street.

In pic: INVADER (b. 1969), Alias SP_43, 2011. Ceramic tiles on perspex. 28? x 14 in (71.5 x 35.6 cm). Estimate $40,000-60,000. Offered in Trespassing, 5-19 August 2020, Online
“Since the hip-hop crews of Philadelphia and New York turned graffiti into an elaborate language, encrypted in a range of unique styles, Street art has become an established art form. While its very ..
Read More
Artists inspired by graffiti often revisit a theme or rely on a repeated technique in their work, creating a recognisable trademark that forms an essential part of their visual vocabulary. Haring developed his man figure; Jean-Michel Basquiat combined symbols and epigrams; and Banksy fashions irreverent, politically-charged subjects.

In pic:
Left - KAWS (b. 1974), Untitled Ad Disruption (Prima/Paris), 1999. Acrylic on found advertising poster. 68 x 47¾ in (173.5 x 120.1 cm). Estimate: $100,000-150,000. Offered in Trespassing, 5-19 August 2020, Online

Right - KAWS (B. 1974), Untitled (Astro Boy), 2003. Hand-painted resin. 18½ x 12 x 4½ in (47 x 32 x 11.2 cm). Estimate: $150,000-200,000. Offered in Trespassing, 5-19 August 2020, Online
Artists inspired by graffiti often revisit a theme or rely on a repeated technique in their work, creating a recognisable trademark that forms an essential part of their visual vocabulary. Haring dev..
Read More
Some street artworks are site-specific, such as Haring’s infamous ‘Crack Is Wack’, a 1986 public project still visible along the Harlem River Drive in New York City. As a way to represent the whole, a distinct element of the work may be replicated in a more portable form. Haring’s iconic figures and symbols repeat throughout his oeuvre, finding themselves not only on his murals and canvases but also on his screen prints. This is also true for artists such as Stik and Banksy.

In pic: Banksy (b. 1975), Girl with Balloon — Colour AP (Gold), 2004. Screenprint in black and gold. Sheet 695 x 495 mm. Sold for £395,250, 24 Sep 2019, Online
Some street artworks are site-specific, such as Haring’s infamous ‘Crack Is Wack’, a 1986 public project still visible along the Harlem River Drive in New York City. As a way to represent the whole, ..
Read More
Street art can be easily duplicated. As stencils can be used and infinitely reused, the question of originality that plagues all art becomes particularly critical for this genre. Consult a specialist. For prints, it is extremely important that they match the catalogue raisonné for the artist or compare well to other examples from the edition.

In pic: HAROSHI X KARIMOKU (b. 1978), BE@RBRICK KARIMOKU HAROSHI 400%, 2019. Repurposed skate deck maple wood
Street art can be easily duplicated. As stencils can be used and infinitely reused, the question of originality that plagues all art becomes particularly critical for this genre. Consult a specialist..
Read More
Street art is, by its very nature, exposed to the elements more than other kinds of art. Restoration may be possible — some artists, such as Stik, make a point of personally touching up their works in situ whenever they can — but some level of wear is to be expected. Collectors should keep in mind that, as with any kind of artwork, condition may impact the perceived value of a piece.

In pic: D*FACE (b. 1978), London — LA, 2014. Acrylic and printed paper collage on panel. 60 x 48 in (152.40 x 121.92 cm). Estimate: $12,000-18,000. Offered in Trespassing, 5-19 August 2020, Online
Street art is, by its very nature, exposed to the elements more than other kinds of art. Restoration may be possible — some artists, such as Stik, make a point of personally touching up their works i..
Read More
Since Street Art is a relatively new movement in art history, it’s important to know what came before in order to understand where it’s going. Most are aware that graffiti — and more specifically, Wild Style — represented the nascent form of Street art in the 1970s, but Pop art also paved the way, incorporating many of the same topics for the first time, from mass consumerism to elements of pop culture.

In pic: Barry McGee (b. 1966), [Untitled], 2007. Double-sided — silkscreen on envelope. 10¾ x 6? in (27.3 x 16 cm). Estimate: $2,000-3,000. Offered in Trespassing, 5-19 August 2020, Online
Since Street Art is a relatively new movement in art history, it’s important to know what came before in order to understand where it’s going. Most are aware that graffiti — and more specifically, Wi..
Read More

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