Watch out! Julius gets badly stabbed

Trigger warnings are increasingly becoming a staple in the realm of art and entertainment, appearing on various platforms. Recent productions, such as Julius Caesar by the Royal Shakespeare Company, now incorporate these alerts to prepare audience...

When did violence depicted in fiction - whether body counts in Aditya Dhar's Dhurandhar duology, or a grim tale in Grimms' fairy tale - elicit statutory warnings a la 'Smoking kills'? It turns out, Bill Shakespeare, that Elizabethan Quentin Tarantino, hasn't been spared Sir Wokeness. We hear a Royal Shakespeare Company production of Julius Caesar - not quite a Disney narrative - now comes with trigger warnings for various sensitive issues like on-stage stabbing. What next? A label on a bottle of Evian that says, 'Contains water?'

Trigger warnings have migrated from reasonable notices about flashing lights and unusually loud bangs into consumer-protection labels for the imaginative virtue-signaller. Everything must apparently disclose its emotional ingredients before serving. Might as well have FSSAI take over arts and entertainment: 'Julius Caesar - contains 40% grief, traces of betrayal, and one assassination with multiple knife stabs (23, according to Suetonius and Plutarch)'. Cinema will require similar assistance. Jaws: shark warning. Psycho: shower-related unpleasantness. The Godfather: scenes of non-compliant corporate governance. Sholay: dancing on glass. Books fare worse. Sarat Chandra Chattopadhyay's story, Mahesh, which depicts grinding poverty and - spoiler alert - the tragic death of a bull, may need a serious emotional safety notice.
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