Value-add, valuation, in startup or art
Marcel Duchamp's 'Fountain' and Maurizio Cattelan's 'Comedian' highlight how value in art can transcend physical materials. While 'Comedian' sold for $5.2 million and was later consumed by its buyer, Justin Sun, it raises points on value-add, inno...

While some have decried the discrepancy between the price of the final product and price of the duct tape and banana used-which NYT traced to a fruit stall in Manhattan bought by Cattelan for less than a dollar, and which the newspaper tried to turn into a 'filthy lucre vs honest hard work' narrative by quoting the fruitseller as saying, 'I am a poor man, I have never had this kind of money; I have never seen this kind of money'-the intangible value addition is real in its execution, disruptive force and iconic-iconoclastic chutzpah.
Justin Sun's comparison of conceptual art such as 'Comedian' to decentralised blockchain tech and non-fungible token (NFT) art - in which most of its objects and ideas exist as IP and on the internet, as opposed to something physical-is apt. While most people find it hard to think of any innovation having value way beyond the sum of its parts, the fact that 'Comedian' is much more than a banana duct-taped to the wall that has 'gestalted' into multi-millionaire-dollar art under an artist's vision underlines the true importance of 'value-add'. Scoff at it at your own expense.
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