Genius of Pujo's Installation Art
Bengal's creative economy is reimagining Durga Pujo. What's needed now is market interest and capital that spills this energy over into the remaining 360 days.

And, yet, despite this 5-day genius for innovation, enterprise and religion-laced entertainment on display, Durga Pujo remains an economic anomaly, a shimmering flash in the pan. The spillover in media, arts and design is underwhelming. Why? First, not enough creative stimulus for the non-Pujo creative economy in the state - and, indeed, the country - is being generated. Second, whatever is generated tends to lose momentum quickly.
The festival's impermanence, paradoxically one of its USPs, is a causal factor. IP created around every iteration of Durga Pujo has a shelf life of a few days. Adaptation to tech is another constraint. Components of the creative economy have a strong reliance on media, whose nature is evolving rapidly. There is a talent gap to move the Pujo experience into, say, VR. But design elements of some elaborate structures are showing sophistication that can be loaded on to larger franchises.
Space for innovation is increasing, as seen, for example, in a standout Pujo installation based on the artwork of contemporary master artist-curator Ganesh Haloi (pic). There are many more that need market and critical support. Bengal's creative economy is reimagining Durga Pujo. What's needed now is market interest and capital that spills this energy over into the remaining 360 days.
The Economic Times Business News App for the Latest News in Business, Sensex, Stock Market Updates & More.