We the living

Petrograd's railway station, a scene of faded grandeur and dust, awaited a train. Amidst the gloom, Kira Argounova arrived, a striking figure in a worn suit, her gaze a mix of defiance and apprehension. Her arrival in the city, a place of uncertai...

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Petrograd smelt of carbolic acid. A pinkish-grey banner that had been red, hung in the webbing of steel beams. Tall girders rose to a roof of glass panes grey as the steel with the dust and wind of many years; some of the panes were broken, pierced by forgotten shots, sharp edges gaping upon a sky gray as the glass.

Under the banner hung a fringe of cobwebs; under the cobwebs - a huge railway clock with black figures on a yellow face and no hands. Under the clock, a crowd of pale faces and greasy overcoats waited for the train.

Kira Argounova entered Petrograd on the threshold of a box car. She stood straight, motionless, with the graceful indifference of a traveller on a luxurious ocean liner, with an old blue suit of faded cloth, with slender, sunburned legs and no stockings. She had an old piece of plaid silk around her neck, and short tousled hair, and a stocking cap with a bright yellow tassel.


She had a calm mouth and slightly widened eyes with the defiant, enraptured, solemnly and fearfully expectant look of a warrior who is entering a strange city and is not quite sure whether he is entering it as a conqueror or a captive.

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