This UK couple grows chairs in their garden and sells them for $90000

Alice and Gavin Munro have spent two decades cultivating trees to grow into ready-made chairs, a process taking 6 to 12 years per piece. These unique biodesign creations, selling for up to £75,000, offer a sustainable alternative to traditional fu...

This orchard doesn't grow apples; it grows chairs. Image Credits: Full Grown, UK
In Derbyshire, England, there’s a two-acre field where furniture isn’t made; it’s harvested. No sawdust, no power tools, no assembly lines, just dirt, sun and a whole lot of patience.

Alice and Gavin Munro have spent the last 20 years honing the art of sculpting living trees to grow upside down into the shapes of complex, ready-made chairs. Their company, Full Grown, is now one of the most talked-about bio design projects in the world and their pieces now sell for up to £75,000 (around $90,000). As the Washington Post reported in an interview with the couple, the story behind these chairs is as extraordinary as the chairs themselves. Fittingly, none of their creations are in their own house; Gavin and Alice have cheerfully admitted their dog Doris would make very short, very expensive work of them.

An idea rooted in childhood


The Full Grown story didn’t start in a design studio. When Gavin was about seven, a moment quietly happened in his family garden that changed everything. His parents had bonsai trees, and one winter, looking up at them on a shelf, he noticed one that had grown a little too freely and bore an unmistakable resemblance to a throne. It was an image that stayed with him for 25 years.

That memory was deepened in a hard chapter to follow. Gavin was diagnosed with scoliosis and Klippel-Feil syndrome, a rare bone condition, and spent long spells in hospital during his childhood. One of the hospitals where he was a patient was built in the woods, and he could see the trees from his bed. Nature, which he could only observe from afar in those years, became a silent anchor. Later, when he studied furniture design, the whole picture fell into place. Why not grow the tree into the shape you want right from the start instead of growing a tree for decades, cutting it down, breaking it into pieces, and gluing it back into forms that will eventually fall apart?

“Instead of force-growing a tree for 50 years and then cutting it down and making it into smaller and smaller bits… the idea is to grow the tree into the shape that you want directly. It's a kind of zen 3D printing,” said Gavin.

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This chair takes its form directly from the tree, scars, twists, and all. Image Credits: Full Grown, UK
How to actually grow a chair
In theory it’s deceivingly simple, and in practice, extraordinarily demanding. It starts with a sapling left to root undisturbed for some five years. The Munros cut it back to the stump, a process they call coppicing, which encourages the plant to grow new, strong young shoots. Those bendy branches are trained around custom-built metal frames, coaxed into the upside-down shape of a chair as they grow. The excess branches are pruned off and the others are grafted together, so that eventually they become one solid, seamless structure with no nails, no glue, no joints.

“Almost everything we do is using prehistoric techniques. We use coppiced small trees, so then you can use them again. And growing a chair on them is almost like an extreme haircut,” says Gavin.

After harvesting, each chair is dried indoors for a full year before the finishing work starts. The little wrinkles and scars sometimes left in the wood aren’t imperfections; they’re proof of a real years-long collaboration between human hands and a living tree. The Munros have experimented with a variety of species, mainly willow but also apple, cherry, oak, ash, beech and hawthorn.

Rarer than you'd think
It takes 6 to 12 years per chair, depending on species and weather, and the Munros have made about 15 prototypes so far. That figure is much lower than they had hoped for in the beginning, thanks to years of trial and error. Their earliest experiments, started around 2006 in a windy, poorly lit corner of a farm, failed before they really began. Then the cows came. Their tiny furniture farm was trampled by cows after months of careful terrace planting in one of their first years of production. They picked themselves up, moved to a new plot, planted some 3,000 trees and carried on.

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"Each species is different, and we're just discovering each one's idiosyncrasies. We write a rule and think that's definitely true, and then the next species will say, 'Oh no, I'm not doing that!' Or even the tree next door of the same species," says Alice.

Since then their chairs have traveled far beyond Derbyshire. They have toured Europe, Asia and the United States, and pieces from Full Grown are on permanent display at the National Museum of Scotland and Museum Boijmans Van Beuningen alongside work by some of the most celebrated names in contemporary design. Many of the pieces have already entered private collections through well-known London galleries.

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The science of why this resonates
It’s easy to read Full Grown as a niche art project, but the appeal goes deeper than aesthetics. According to Scientific Reports, research shows that connection to the natural world is a major contributor to life satisfaction and is associated with some of our most positive emotional experiences. A chair that literally grew out of the ground is not just a design object; for many buyers, it is a piece of the living world brought permanently indoors.

There is a name for this impulse. Britannica notes that spending time in natural settings has been tied to better mental and spiritual well-being. Even two hours spent connecting with nature each week have been linked to increased satisfaction and better overall health. The Munros are tapping on something very ancient and very human.

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The world's most expensive harvest is growing in this field. Image Credits: Full Grown, UK
Why it matters beyond the price tag
The traditional furniture industry comes with a high environmental cost. For example, the life cycle analysis published in Science of The Total Environment looks at the energy consumption, greenhouse gas emissions, water use and waste during the entire process of manufacturing furniture to determine a product’s environmental impact. Full Grown avoids almost all of those issues. The chairs are not carbon emitters but carbon sinks. The inputs are only soil, water and time.

Lisa White, director of Life and Interiors at WGSN, summed it up: “Full Grown demonstrates that the future will be about bio-facturing, not manufacturing; it will be about patience more than production.”

Growing your own chair could be next
The Munros are not keeping their methods to themselves. The couple is establishing the Full Grown Academy to pass on their skills, in the hope that more people will continue the process not just for collectors, but for anyone with a plot of land and the patience to follow the rhythms of the earth. Their goal isn't to guard a secret. It’s to start a movement.

For a generation that has seen fast furniture pile up in landfills and forests quietly disappear, there is something almost radical about a chair that takes a decade to make and lasts a lifetime. It poses a question that's surprisingly hard to argue with: what if slowing down was actually the whole point?
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