How to Achieve Perfect Sun-Kissed Hair, According to Hair Stylist Brad Mondo
Stylist Brad Mondo simplifies at-home highlighting by focusing on structural geometry and hair movement. His method uses controlled ponytail sections and overdirection to create soft, natural-looking sun-kissed highlights that frame the face. This...

1. Structural Geometry over Technical Skill
The success of this method is built on how the hair is organised before any colour is applied. Mondo utilises a system of six controlled ponytail sections to create predictable placement. By using specific triangular sections at the front of the head to create "money pieces," the technique ensures that the brightest highlights frame the face. This structured approach removes the guesswork of freehand painting, which is where most non-professionals struggle with patchiness.2. Utilising Overdirection for Softness
A primary challenge in DIY hair colour is avoiding the "stripe" effect. To solve this, Mondo uses a concept called overdirection. By pulling the hair away from its natural resting position before applying lightener, the stylist ensures that, once released, the colour diffuses naturally. This mimics the professional balayage technique, using the hair’s own weight and gravity to soften the transition between the natural base and the new highlights. It prevents blunt lines of demarcation at the root.
3. Real-World Light Simulation
Natural highlights are rarely uniform. Mondo’s method follows the logic of real-world sun exposure: the hair at the front and top of the head always receives the most light. Consequently, the lightener is placed higher up the hair shaft near the face and lower toward the back of the head. This intentional angle creates a realistic, angled profile that avoids the artificial, "box-colour" look that often reveals an at-home job.4. Prioritising Hair Integrity and Tone
A common error in home lighting is trying to achieve the brightest blonde possible in one session. Mondo suggests a more conservative approach, aiming to lift the hair only one or two shades lighter than its natural state. Lifting the hair slowly preserves the hair's protein structure and prevents a chalky, damaged appearance. Furthermore, Mondo emphasises that the "raw" colour of bleached hair is often unfinished. Toning after lightening is essential to restore shine and balance the warmth or coolness of the highlights, making them look intentional rather than accidental.5. Controlled Workflow and Sequencing
Consistency in hair color is largely a matter of timing. Because bleach begins working immediately, Mondo recommends a staggered application and rinsing process. Each ponytail section is treated and rinsed independently.By applying and rinsing the sections in the same order, you ensure that every part of the hair has the exact same development time. This prevents the common issue where the back of the head is dark while the front is over-processed.
6. Final Diffusion Techniques
In the final minutes of the process, Mondo suggests a technique to soften the starting point of the highlights. By gently moving the lightener upward toward the hair elastic just before rinsing, the sharp line of the highlight is blurred. This final step is what creates the seamless "fade" seen in professional work. It reinforces the core philosophy of the routine: beauty is found in softness and dimension rather than high-contrast, geometric lines.The Economic Times Business News App for the Latest News in Business, Sensex, Stock Market Updates & More.
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