Rescue boat funded by street artist Banksy evacuated after distress call, 200 migrants moved off
Three people had died at sea before the arrival of the Louise Michel.
By AFP | Updated:
Reuters
The Louise Michel vessel's crew of 10 had already rescued 89 people from a rubber boat in distress on Thursday.
ROME: All of the migrants on board a rescue ship funded by British street artist Banksy have been transferred to other vessels, the team behind the mission said after their pink-and-white ship carrying more than 200 passengers sent an urgent call for help.
An Italian patrol vessel rushed to the stranded MV Louise Michel in the Mediterranean and took in 49 of the most vulnerable people on Saturday, the coastguard said.
The remaining migrants on board, around 150 people, were received by a vessel chartered by German NGO Sea Watch and medical charity Doctors Without Borders (MSF), according to tweets from both organisations and the Louise Michel's crew.
"For those most recently embarked, medical assessment is ongoing, with the clinic full & #MSF medics treating people for fuel burns, dehydration, hypothermia & traumatic injuries," the MSF Sea Twitter account said of the situation on board the Sea-Watch 4.
The German-flagged Louise Michel had said it needed aid after helping a boat carrying at least one dead migrant in the sea that divides Africa and Europe.
Its crew said the 31-metre (101-foot) ship had become overcrowded and unable to move, warning that some of the migrants had fuel burns and had been at sea for days.
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"Given the danger of the situation, the coastguard sent a patrol boat to Lampedusa which took in 49 people deemed the most fragile, including 32 women, 13 children and four men," said a coastguard statement.
The rescued migrants later said three people had died at sea before the arrival of the Louise Michel.
Banksy, who keeps his identity a secret, explained in an online video that he had bought the boat to help migrants "because EU authorities deliberately ignore distress calls from non-Europeans".
Sea-Watch 4, which has a clinic on board and is itself in search of a host port, said it was now carrying 350 people after sailing for four hours to help the Louise Michel.
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Its crew decided to take action "in the face of the lack of reaction" from the authorities, a Sea Watch spokesman told AFP.
The Louise Michel vessel's crew of 10 had already rescued 89 people from a rubber boat in distress on Thursday.
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They had tweeted that there were a total 219 people on board and that they had requested assistance from both the Italian and Maltese authorities.
The boat -- a former French customs vessel named after 19th-century French anarchist Louise Michel -- was around 90 kilometres (55 miles) southeast of Lampedusa on Saturday, according to the global ship tracking website Marine Traffic.
It features a Banksy artwork depicting a girl in a life vest holding a heart-shaped safety buoy.
Its crew is "made up of European activists with long experience in search and rescue operations" and is captained by German human rights activist Pia Klemp, who has also captained other such rescue vessels, The Guardian newspaper reported.
Thousands of people are thought to have died making the dangerous trip across the Mediterranean to flee conflict, repression and poverty in Africa and the Middle East.
According to the UN refugee agency, UNHCR, attempts by migrant boats to cross the Mediterranean into Europe have increased this year, up 91 percent from January to July over last year's figures, to 14,481 people.
Banksy's involvement in the rescue mission goes back to September 2019 when he sent Klemp an email asking how he could contribute.
Klemp, who initially thought it was a joke, told the paper she believed she was chosen because of her political stance, The Guardian said.
"I don't see sea rescue as a humanitarian action, but as part of an anti-fascist fight," she told the paper.
This month, humanitarian organisations said they would resume migrant rescues in the Mediterranean Sea, where none have operated since the rescue ship Ocean Viking docked in Italy in early July.
Before the Ocean Viking's last mission, rescue operations in the Mediterranean had been suspended for months because of the coronavirus pandemic.
Meanwhile in the French port city of Marseille, 30 protesters called on Italian authorities to release the Ocean Viking, which was detained by the Italian coastguard over technical irregularities.
Banksy, KAWS & More: 5 Things To Know About Collecting Street Art
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Street art is no longer spray painting on bus stops, street corners and walls. It’s making its way into your home, and if you’re a collector, it’s a genre to consider.
Works by pioneers such as Haring, Stik, Banksy and KAWS have gained popularity in recent years as we have seen an urban liberation of art media, pushing through the conventional parameters of paper, cardboard and canvas and on to pavement, sidewalks, subways and the bricks of buildings.
As the personification of movement, freedom and spontaneity, art inspired by graffiti has taken centre stage, both literally in scale and visibility and in its burgeoning popularity.
Street art is no longer spray painting on bus stops, street corners and walls. It’s making its way into your home, and if you’re a collector, it’s a genre to consider.Works by pioneers such as Haring..
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“Since the hip-hop crews of Philadelphia and New York turned graffiti into an elaborate language, encrypted in a range of unique styles, Street art has become an established art form. While its very public presence may scream manifesto, perhaps with subversive intent, Street art nonetheless promotes a sense of the uncompromising, a radical ethos that consistently attracts clusters of fervent supporters throughout the world,” says Noah Davis, Specialist, Post War and Contemporary Art at Christie’s Inc. They share their tips on what you need to know if you’re considering going street.
In pic: INVADER (b. 1969), Alias SP_43, 2011. Ceramic tiles on perspex. 28? x 14 in (71.5 x 35.6 cm). Estimate $40,000-60,000. Offered in Trespassing, 5-19 August 2020, Online
“Since the hip-hop crews of Philadelphia and New York turned graffiti into an elaborate language, encrypted in a range of unique styles, Street art has become an established art form. While its very ..
Read More
Artists inspired by graffiti often revisit a theme or rely on a repeated technique in their work, creating a recognisable trademark that forms an essential part of their visual vocabulary. Haring developed his man figure; Jean-Michel Basquiat combined symbols and epigrams; and Banksy fashions irreverent, politically-charged subjects.
In pic: Left - KAWS (b. 1974), Untitled Ad Disruption (Prima/Paris), 1999. Acrylic on found advertising poster. 68 x 47¾ in (173.5 x 120.1 cm). Estimate: $100,000-150,000. Offered in Trespassing, 5-19 August 2020, Online
Right - KAWS (B. 1974), Untitled (Astro Boy), 2003. Hand-painted resin. 18½ x 12 x 4½ in (47 x 32 x 11.2 cm). Estimate: $150,000-200,000. Offered in Trespassing, 5-19 August 2020, Online
Artists inspired by graffiti often revisit a theme or rely on a repeated technique in their work, creating a recognisable trademark that forms an essential part of their visual vocabulary. Haring dev..
Read More
Some street artworks are site-specific, such as Haring’s infamous ‘Crack Is Wack’, a 1986 public project still visible along the Harlem River Drive in New York City. As a way to represent the whole, a distinct element of the work may be replicated in a more portable form. Haring’s iconic figures and symbols repeat throughout his oeuvre, finding themselves not only on his murals and canvases but also on his screen prints. This is also true for artists such as Stik and Banksy.
In pic: Banksy (b. 1975), Girl with Balloon — Colour AP (Gold), 2004. Screenprint in black and gold. Sheet 695 x 495 mm. Sold for £395,250, 24 Sep 2019, Online
Some street artworks are site-specific, such as Haring’s infamous ‘Crack Is Wack’, a 1986 public project still visible along the Harlem River Drive in New York City. As a way to represent the whole, ..
Read More
Street art can be easily duplicated. As stencils can be used and infinitely reused, the question of originality that plagues all art becomes particularly critical for this genre. Consult a specialist. For prints, it is extremely important that they match the catalogue raisonné for the artist or compare well to other examples from the edition.
In pic: HAROSHI X KARIMOKU (b. 1978), BE@RBRICK KARIMOKU HAROSHI 400%, 2019. Repurposed skate deck maple wood
Street art can be easily duplicated. As stencils can be used and infinitely reused, the question of originality that plagues all art becomes particularly critical for this genre. Consult a specialist..
Read More
Street art is, by its very nature, exposed to the elements more than other kinds of art. Restoration may be possible — some artists, such as Stik, make a point of personally touching up their works in situ whenever they can — but some level of wear is to be expected. Collectors should keep in mind that, as with any kind of artwork, condition may impact the perceived value of a piece.
In pic:D*FACE (b. 1978), London — LA, 2014. Acrylic and printed paper collage on panel. 60 x 48 in (152.40 x 121.92 cm). Estimate: $12,000-18,000. Offered in Trespassing, 5-19 August 2020, Online
Street art is, by its very nature, exposed to the elements more than other kinds of art. Restoration may be possible — some artists, such as Stik, make a point of personally touching up their works i..
Read More
Since Street Art is a relatively new movement in art history, it’s important to know what came before in order to understand where it’s going. Most are aware that graffiti — and more specifically, Wild Style — represented the nascent form of Street art in the 1970s, but Pop art also paved the way, incorporating many of the same topics for the first time, from mass consumerism to elements of pop culture.
In pic: Barry McGee (b. 1966), [Untitled], 2007. Double-sided — silkscreen on envelope. 10¾ x 6? in (27.3 x 16 cm). Estimate: $2,000-3,000. Offered in Trespassing, 5-19 August 2020, Online
Since Street Art is a relatively new movement in art history, it’s important to know what came before in order to understand where it’s going. Most are aware that graffiti — and more specifically, Wi..