Morning Bengali chants, listening to Indian epics carved artist Jayasri Burman's imagination

Burman said that she learnt to imagine characters and create scenarios very early in life.

Agencies
Burman’s art refashions the universe of mythologies, acquiring an entirely novel meaning and nuance.
In a series of inspiring conversations with iconic women achievers, whose creativity and commitment to their craft make them distinctive, Zoya, the diamond boutique from the House of Tata, presents ‘Finely Crafted Journeys’.

This time, Zoya’s muse was Jayasri Burman, one of India’s respected contemporary artists whose work is globally acclaimed. Burman’s art refashions the universe of mythologies, acquiring an entirely novel meaning and nuance.

In such a reinterpreted, reinvented, revised and reimagined canvas, she expresses her signature spontaneity, just as Zoya jewellery finds unique design direction from iconic inspirations.


What inspired you to pursue your craft as an artist?
Growing up to the morning chants and prayers in a very Bengali household and listening to the Indian epics for staple diet, I learnt to imagine the characters and create the scenarios very early in life. It was only natural that I took up art as my profession and life. I could express my emotions like a prayer that flew from my pen and ink to the drawing board to take mythical forms and lyrical figures surrounded by nature.

What does creativity mean to you?
Nature is the greatest and most sublime creator; building and rebuilding forms and patterns each and every moment. To me that is the greatest form of creativity —which is closest replicated in art — the ability to interpret and reinterpret multiple meanings and look for the inherent goodness within.
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What do you enjoy most about your craft?
There is a sense of simplicity in the way I have nurtured my relationship with my art. It merges my artistic journey with the sublime.

Zoya and me
I truly admire Zoya’s craftsmanship and design and purity. I appreciate the interpretation of inspiration into designs that will be forever stylish, as the iconic never gets boring.

Scribbles, Scratches And Other Abstract Pieces Of Art That Made Millions
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Who says a scribble or a scratch is worthless? Check out these abstracts which sold for a fortune thanks to their minimalistic allure.
Who says a scribble or a scratch is worthless? Check out these abstracts which sold for a fortune thanks to their minimalistic allure.
Cost: $70.5 million

What seems like chalk scribbles on a slate is actually an oil-based house paint and crayon artwork on canvas by Edwin Parker ‘Cy’ Twombly Jr, which fetched a record price for the artist in Christie’s 2014 sale. Part of Twombly’s ‘blackboard’ paintings, the 1970 artwork is inspired by his stint in Pentagon as a cryptologist. What’s interesting is the way he produced this artwork. He sat on the shoulders of a friend, who kept on walking along the length of the canvas, enabling Twombly to create fluid lines. The painting’s then owner, Audrey Irmas, a philanthropist, parted with the painting to raise funds for her foundation for social justice. Interestingly, Irmas bought the painting for $3.85 million in 1990.

(Image: www.christies.com)
Cost: $70.5 million What seems like chalk scribbles on a slate is actually an oil-based house paint and crayon artwork on canvas by Edwin Parker ‘Cy’ Twombly Jr, which fetched a record price for the..
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Cost: $1.65 million

Once part of the Robert and Jean Shoenberg collection, this 1961 artwork came into the market at Christie’s 2008 sale. Kelly was a camouflage artist during his stint in the army in the 1940s. He was a part of the unit known as ‘the Ghost army’ comprising artists and designers who painted objects that would misdirect enemy soldiers.

(Image: www.christies.com)
Cost: $1.65 million Once part of the Robert and Jean Shoenberg collection, this 1961 artwork came into the market at Christie’s 2008 sale. Kelly was a camouflage artist during his stint in the army ..
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Cost: $86.88 million (including buyer’s premium)

The vibrant orange, red and yellow coloured rectangles was part of art collector David Pincus’s estate and was brought to the market by Christie’s in 2012 where its sale set the record for post war/ contemporary art at the time. Rothko’s 1961 work was in Pincus’s possession for four-and-a-half decades. The final bid was double the highest estimate of the artwork.

(Image: www.markrothko.org)
Cost: $86.88 million (including buyer’s premium) The vibrant orange, red and yellow coloured rectangles was part of art collector David Pincus’s estate and was brought to the market by Christie’s i..
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Cost: $16.2 million

The 24 sharp vertical tears on a crimson, water-painted seven- foot wide canvas was contested for about a minute and 30 seconds during Sotheby’s 2015 auction. Yet, the painting was sold below the low presale estimate of $15 million. Turns out, Fontana was inspired to paint this artwork watching Red Desert, a 1964 movie created by Michelangelo Antonioni, which won the Golden Lion in that year’s Venice Film Festival. In fact, the inscription on the back of the painting, in Italian, reads, “I returned yesterday from Venice, I saw Antonioni’s film!!!”

(Image: www.sothebys.com)
Cost: $16.2 million The 24 sharp vertical tears on a crimson, water-painted seven- foot wide canvas was contested for about a minute and 30 seconds during Sotheby’s 2015 auction. Yet, the painting ..
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Cost: $84.16 million

Newman’s 1961 stark black palette on a pale canvas was part of Christie’s post-war and contemporary evening sale auction in 2014. Newman started dabbling in abstract expression while he was mourning the death of his younger brother George. About the painter’s black fixation, art expert Thomas Hess recalled Newman saying, “When an artist wants to change, when he wants to invent, he goes to black as it is a way of clearing the table-of getting to new ideas.” The painting is in the possession of a private collector now. Its previous owner had the painting for nearly 40 years.

(Image: www.christies.com)
Cost: $84.16 million Newman’s 1961 stark black palette on a pale canvas was part of Christie’s post-war and contemporary evening sale auction in 2014. Newman started dabbling in abstract expression..
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