Is art safe on a superyacht? Not from storms, children & wine

Art historian and conservationist Pandora Mather-Lees runs courses in practical care of fine arts on a superyacht.

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By Maria Kolesnikova

Expensive yachts that double as floating art galleries can lead to unexpected and costly mishaps.

Priceless paintings and sculptures kept on the vessels face damage not only from storms and storing conditions, but also from random threats including breakfast cereal splashed by the owner’s kids and the yacht’s crew popping champagne on board.

Two British art historians set out to help superboat owners preserve paintings hanging on their yachts, the Observer newspaper said Sunday.


Art historian and conservationist Pandora Mather-Lees runs courses in practical care of fine arts on a superyacht -- at a cost of as much as 300 euros a day. Mather-Lees started giving lessons for crews after a billionaire sought her help in restoring a Jean-Michel Basquiat painting ruined first by his children throwing cornflakes and then by the crew wiping them off carelessly, according to the Observer. Her course teaches the crew to understand the value of objects on board and how to seek specialist help in case of emergency.

The value of art on a yacht could be two to three times the value of the vessel, according to Helen Robertson, a conservator at the National Maritime Museum in Greenwich, which last year hosted a symposium dedicated to “art at sea.”

Scribbles, Scratches And Other Abstract Pieces Of Art That Made Millions
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Who says a scribble or a scratch is worthless? Check out these abstracts which sold for a fortune thanks to their minimalistic allure.
Who says a scribble or a scratch is worthless? Check out these abstracts which sold for a fortune thanks to their minimalistic allure.
Cost: $70.5 million

What seems like chalk scribbles on a slate is actually an oil-based house paint and crayon artwork on canvas by Edwin Parker ‘Cy’ Twombly Jr, which fetched a record price for the artist in Christie’s 2014 sale. Part of Twombly’s ‘blackboard’ paintings, the 1970 artwork is inspired by his stint in Pentagon as a cryptologist. What’s interesting is the way he produced this artwork. He sat on the shoulders of a friend, who kept on walking along the length of the canvas, enabling Twombly to create fluid lines. The painting’s then owner, Audrey Irmas, a philanthropist, parted with the painting to raise funds for her foundation for social justice. Interestingly, Irmas bought the painting for $3.85 million in 1990.

(Image: www.christies.com)
Cost: $70.5 million What seems like chalk scribbles on a slate is actually an oil-based house paint and crayon artwork on canvas by Edwin Parker ‘Cy’ Twombly Jr, which fetched a record price for the..
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Cost: $1.65 million

Once part of the Robert and Jean Shoenberg collection, this 1961 artwork came into the market at Christie’s 2008 sale. Kelly was a camouflage artist during his stint in the army in the 1940s. He was a part of the unit known as ‘the Ghost army’ comprising artists and designers who painted objects that would misdirect enemy soldiers.

(Image: www.christies.com)
Cost: $1.65 million Once part of the Robert and Jean Shoenberg collection, this 1961 artwork came into the market at Christie’s 2008 sale. Kelly was a camouflage artist during his stint in the army ..
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Cost: $86.88 million (including buyer’s premium)

The vibrant orange, red and yellow coloured rectangles was part of art collector David Pincus’s estate and was brought to the market by Christie’s in 2012 where its sale set the record for post war/ contemporary art at the time. Rothko’s 1961 work was in Pincus’s possession for four-and-a-half decades. The final bid was double the highest estimate of the artwork.

(Image: www.markrothko.org)
Cost: $86.88 million (including buyer’s premium) The vibrant orange, red and yellow coloured rectangles was part of art collector David Pincus’s estate and was brought to the market by Christie’s i..
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Cost: $16.2 million

The 24 sharp vertical tears on a crimson, water-painted seven- foot wide canvas was contested for about a minute and 30 seconds during Sotheby’s 2015 auction. Yet, the painting was sold below the low presale estimate of $15 million. Turns out, Fontana was inspired to paint this artwork watching Red Desert, a 1964 movie created by Michelangelo Antonioni, which won the Golden Lion in that year’s Venice Film Festival. In fact, the inscription on the back of the painting, in Italian, reads, “I returned yesterday from Venice, I saw Antonioni’s film!!!”

(Image: www.sothebys.com)
Cost: $16.2 million The 24 sharp vertical tears on a crimson, water-painted seven- foot wide canvas was contested for about a minute and 30 seconds during Sotheby’s 2015 auction. Yet, the painting ..
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Cost: $84.16 million

Newman’s 1961 stark black palette on a pale canvas was part of Christie’s post-war and contemporary evening sale auction in 2014. Newman started dabbling in abstract expression while he was mourning the death of his younger brother George. About the painter’s black fixation, art expert Thomas Hess recalled Newman saying, “When an artist wants to change, when he wants to invent, he goes to black as it is a way of clearing the table-of getting to new ideas.” The painting is in the possession of a private collector now. Its previous owner had the painting for nearly 40 years.

(Image: www.christies.com)
Cost: $84.16 million Newman’s 1961 stark black palette on a pale canvas was part of Christie’s post-war and contemporary evening sale auction in 2014. Newman started dabbling in abstract expression..
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