Oscars 2013 race: Why Argo will trump Lincoln
Just look closely at the Guild awards. They indicate how the Academy is going to vote and they have plumped for Argo all along.
What if I told you that everything you think you know about the Oscar race is wrong? Well, it probably is. Every year people are surprised by how the Oscars turn out. They gasp when their favourite films are snubbed and they puzzle over why other films made the cut. After confusion come anger and disillusionment.
“How could the Academy be so stupid?” is the common complaint. Surprises are a big part of any contest, and the Oscars are no exception. Even the savviest pundits — of which there are few — get plenty of things wrong. But the wisest pundits understand certain rules that reduce the amount of bewilderment when nominees and then winners are announced. They also take emotion out of it.
The Lip and the Cup
The first thing to remember is there’s a big disconnect between what everyone thinks will be an Oscar contender and what actually becomes an Oscar contender. Plenty of films have Oscar potential on paper because of their subject matter, or their cast, or a number of other factors.
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Lincoln is still the heavy favourite in three other important races: Best Director (Steven Spielberg), Best Actor (Daniel Day-Lewis) and Best Supporting Actor (Tommy Lee Jones). There’s no chance that it will walk away empty handed. So how did we get here?
First, it’s important to remember what the Academy of Motion Picture Arts and Sciences actually is. The Academy is not some mysterious organisation made up of a few select individuals. It’s made up of nearly 6,000 professionals working in the movie industry.
Actors make up the biggest branch of the Academy with 1,172 members. Therefore, if you can please actors then you probably have a good shot at Oscar gold.
Watch the Guild
That’s why so much fuss was made over Argo winning the Screen Actors Guild (SAG) Award for Best Ensemble Cast. That win sent a clear message that the biggest voting block in the Academy is behind Argo in a big way.
Argo also won two other major guild awards: the Producers Guild’s Darryl F Zanuck Producer of the Year Award and Best Motion Picture Director from the Directors Guild. Combine those wins with the SAG win and you have a film with plenty of support from the very people it needs support from.
By the time the guilds start voting for their awards, the views of critics, pundits, casual movie watchers and anybody else who chimes in on the Oscars take a back seat.
The Guilds basically rewrite the race every year. With their votes they send out a message to the rest of the world that says, “We know what you like, but this is what we like. We are the ones who pick the Oscars, not you.”
Guild awards are in a way more important than the Golden Globes, because they indicate how the Academy is actually going to vote. It’s a common misconception that the Golden Globes are a strong indicator of how the Oscar race will turn out.
With more than $500 million in worldwide grosses since opening last November, Life of Pi is a colossal hit. With the exception of some blockbusters — here’s looking at you, Transformers franchise — succeeding on a commercial level usually means that you are also winning over jaded movie professionals who spend their lives on movie sets and need a bit of a nudge to become emotionally involved in a film.
Life of Pi clearly has its share of supporters, but it faces stiff competition when it comes to winning Best Picture. If it wins, it will be one of the biggest upsets of all time. For what it’s worth, I love Life of Pi. If I was filling out an Oscar ballot I would pick it for Best Picture in a heartbeat. That’s personal. The business side of me says it’s going to be Argo all the way.
(The writer is vice-president/ chief analyst, Boxoffice.com)
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